What leads an artist to take refuge in his own world?
I’ve noticed how many musical artists seem to live in
their own little world. Them and their own world. For example, I remember a kid
at my school who would pick up his guitar and just play, without worrying about
whether anyone was passing by or watching him. It was as if, in that moment,
the rest of the world didn’t exist. Just him and the music.
I myself - and it’s strange to say this
- am an artist, although perhaps in a different way. As I mentioned in another
article, I have what I call chronic introspection: I spend a lot of time with
my own ideas and projects. But at the same time, I don’t feel completely closed
off in my own little world the way many artists seem to be. I can still keep in
touch with what’s going on around me, even if I sometimes retreat into my own
thoughts.
But why is it that so many artists seem
to live like this, so disconnected from what’s happening around them?
I think there are several reasons. For
many, it’s a kind of defense mechanism or protection. Art becomes their
emotional refuge, the only place where they feel they have some control over
what’s happening. It’s as if, in that creative space, they can shield
themselves from the noise and pressures of the outside world - the criticism,
the expectations, or the comparisons.
Then there’s the matter of emotional
intensity. Artists, in general, are people who feel things very deeply. Small
things can seem enormou
s, or trivial details can carry a huge emotional weight.
Creating art is often a way of turning that intensity into something more
manageable - of channeling it into something beautiful or meaningful. Maybe
it’s that sensitivity that makes them seem disconnected from the outside world:
they’re so focused on processing what they feel that everything else fades into
the background.
Another reason is the so-called
creative flow. When an artist is creating, they often enter a state where time
seems to stand still. It’s as if the world ceases to exist - there’s only them,
the instrument, the paper, the canvas, or the music. That state is so immersive
that anything happening around them just doesn’t seem to matter.
And then there’s the training and
dedication. Many artists spend hours honing their craft, experimenting with new
ideas, and exploring different possibilities. That inevitably means spending a
lot of time alone. They get so used to being in their own bubble that it
becomes their default mode of living.
Of course, not all artists live like
this. Some manage to strike a good balance between their inner world and
connecting with others. Others, however, end up getting lost in the bubble, either
by choice or out of emotional necessity. It depends a lot on the personality of
each artist, their life circumstances, and even the type of art they practice.
Ultimately, living in one’s own world
can be both a blessing and a curse for an artist. It’s in that space that
creativity blossoms, but it’s also where isolation can take hold. It’s
important to understand that this “little world” is part of the creative
process, but that contact with the outside world also fuels the art.
And that’s the big question: do we need
to disconnect from the world to create? Or does the world out there give us the
raw material we need to bring our art to life?



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